On the Road to Find Out

So, after two failed attempts at arriving at film premiere-style arrangements it seems that music really is my thing. The last three nights have heralded three concerts, all of which I actually managed to find and found before they had finished. First up was the double bill of Lulina and Dudu Tsuda.

Dudu was a bit of a strange cat. He had one of those wispy beards, like he’d taken an uppercut from an angry candy floss, that only Asian people seem to get away with. His music was an interesting melange of general avant-gardeness that never really went anywhere. I got the impression that he was some kind of conceptual mastermind, and I was most definitely not in on it. Here he is performing “Le Jour que Erik Satie a Rencontré Stereo Lab,” which in name alone speaks volumes:

I’m not really sure why I started off with my least favourite video, that didn’t make much sense. Anyway, we shall persevere. Lulina was great! Most definitely in a Jeffrey Lewis vein. I’d been listening to her last two albums and they are good without being great, however live she is spot-on. Track after track of pure pop gold, coupled I’m sure with ascerbic wit which I struggled to really get to grips with. This is “Balada de Paulista,” i.e. ballad of a Sao Paulo-dweller.

Friday night was all about Karina Buhr, whose “Eu Mentí Pra Voce” has been one of my favourite records over the last six months. Dressed in a gold-sequinned catsuit she danced around the stage, grinding whenever an opportunity arose, writhed on the floor in an attempt to disrupt the guitarrist, turned her mic stage into a weapon and set loose on the audience. She was ridiculously good, especially considering she was being backed up by some of the best musicians in Brazil (including Edgar Scandurra and Fernando Catatau) and those great songs off her debut album. This is her performing “Telkphonen,” a strange percussive kraut-rock piece that never gives up on the intrigue.

Tonight I went to see Cerebro Eletronico, an interesting band who have been getting a lot of hype in Sao Paulo, featuring highly in many of the Best of 2010 polls. Without being particularly innovative they are a band that seems at ease producing track after track of 80s New Wave full of funky synths and rousing choruses. This is “Pareco Moderno” which is probably one of my favourites.